I will here sum up in four statements, which will look very like puzzles upon this page. If we think of it often, while its essentials doubtless remain true, it becomes more and more our own memory of the thing rather than the thing remembered. The story of my birth might be untrue.
I was born of respectable but honest parents; that is, in a world where the word "respectability" was not yet exclusively a term of abuse, but retained some dim philological connection with the idea of being respected.
For another boy called Robert Louis Stevenson has messed about with my colours upon that sort of palette; and I have grown up to enjoy them in print as well as in paint. Only figures of speech can faintly express the fact; but it was a fact and not a figure of speech.
But I mean that the distinctions I make here were all there; I was not conscious of them but I contained them. But what you are saying, in your witty way, is simply that I associate these things with happiness because I was so happy.
I am content to say here that even dolls are not idols, but in the true sense images. If any man tells me that I only take pleasure in the mysteries of the window and the bridge because I saw these models of them when I was a baby, I shall take the liberty of telling him that he has not thought the thing out.
My main purpose here, however, is to say this.
The eldest of the boys, the one whom I once knew best, was killed with my brother in the Great War; but many of the others, I am glad to say, are still friends as well as relations. But for that very reason, this image has remained and memory has constantly returned to it; and I have even done my best to deface and spoil the purity of the White Horse by writing an interminable ballad about it.
It was the same with any number of other games or pretences in which I took delight; as in the puppet-show of Punch and Judy.
If I were to meet him now, I should know he might be any pawnbroker from any gutter in Europe. These remarkable words of the Protestant Champion caused his worshipper to gaze upon him with a new dawn of wonder, when my father intervened and explained the error pointing out the fine shade that divides Westerton and Chesterton.
It was merely because a child understands the nature of art, long before he understands the nature of argument. It is exercising the rest of the mind; now an almost neglected thing. But indeed these first memories and rumours suggest that there were a good many Dickens characters in the days of Dickens.
Their meaning, in the murder or other mystery, will appear later. It was merely because a child understands the nature of art, long before he understands the nature of argument.
II.—THE MAN WITH THE GOLDEN KEY. The very first thing I can ever remember seeing with my own eyes was a young man walking across a bridge.
He had a curly moustache and an attitude of confidence verging on swagger. Fukuoka | Japan Fukuoka | Japan. Download-Theses Mercredi 10 juin Autobiography, by G.K. Chesterton, free ebook.
IV.—HOW TO BE A LUNATIC. I deal here with the darkest and most difficult part of my task; the period of youth which is full of doubts and morbidities and temptations; and which, though in my case mainly subjective, has left in my mind for ever a certitude upon the objective solidity of Sin.
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